Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of Arturo Ferrari 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
93067 Church and Houses Arturo Ferrari Church and Houses between 1925(1925) and 1932(1932) Medium oil on paper Dimensions Height: 29.5 cm (11.6 in). Width: 41 cm (16.1 in). cjr
93091 Church of Santo Stefano in Borgogna in Milan Arturo Ferrari Church of Santo Stefano in Borgogna in Milan 1896(1896) Medium oil on canvas Dimensions Height: 138 cm (54.3 in). Width: 96 cm (37.8 in). cjr
92736 Fifteenth-Century Courtyard in Castiglione Olona Arturo Ferrari Fifteenth-Century Courtyard in Castiglione Olona 1895(1895) Medium oil on canvas Dimensions Height: 145.5 cm (57.3 in). Width: 220.5 cm (86.8 in). cjr
93090 Interior of Milan Cathedral Arturo Ferrari Interior of Milan Cathedral 1888(1888) Medium oil on canvas Dimensions Height: 121 cm (47.6 in). Width: 70 cm (27.6 in). cjr

Arturo Ferrari
(Milan, 1861 - 1932) was an Italian painter. Initiated into artistic studies by his father Cesare, an associate of Luigi Scrosati, and the painter Mose Bianchi from Lodi, Arturo Ferrari completed his training at the Brera Academy under the guidance of Giuseppe Bertini from 1877 to 1884 while working in the studio of Gerolamo Induno at the same time. He made his debut at the Esposizione di Belle Arti di Brera in 1879 with a view of the interior of Milan Cathedral, thus inaugurating the repertoire of Milanese perspective views that was to be a constant feature of his vast production of oil paintings and watercolours. He soon became the guiding spirit of a poetic and sentimental evocation of "Old Milan" during the phase of transition to the 20th century, when the face of the city changed radically through wholesale rebuilding. A regular participant in all the major exhibitions until 1932, the year of his death, he was the recipient of numerous marks of official recognition and enjoyed considerable success with the public as well as the esteem of conservative critics.
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