Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of Giotto 03

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
52374 The Hermit Zosimus Giving a Cloak to Magdalene Giotto The Hermit Zosimus Giving a Cloak to Magdalene 1320s Fresco Magdalene Chapel
1775 The Lamentation Giotto The Lamentation c1305
23303 The Lamentation (nn03) Giotto The Lamentation (nn03) c 1305 Fresco 200 x 185 cm 78 3/4 x 72 7/8 in Cappella dei Scrovegni,Padua
33311 The Lamentation of Christ Giotto The Lamentation of Christ mk86 1303-1305 Fresco 185x200cm Padua,Arena Chapel
21151 The Lamentation of Christ (mk08) Giotto The Lamentation of Christ (mk08) 1303-1305 Fresco.c.185x200cm Padua,Arena Chapel
1785 The Last Judgment  1 Giotto The Last Judgment 1 1305-13 Arena Chapel, Padua
1774 The Madonna in Glory Giotto The Madonna in Glory 1310 Galleria degli Uffizi, Florence
33299 The Marriage Procession of the Virgin Giotto The Marriage Procession of the Virgin mk86 1303-1305 Fresco
21139 The Marriage Procession of the Virgin (mk08) Giotto The Marriage Procession of the Virgin (mk08) 1303-1305 Fresco.Padua,Arena Chapel
55909 The Meeting at the Golden Gate Giotto The Meeting at the Golden Gate mk247 1304-06,fresco,79x73 in,200x185cm,capella degli scrovegni(arena chapel),padua,ltaly
33252 The Raising of Drusiana,Cappella Peruzzi Giotto The Raising of Drusiana,Cappella Peruzzi mk83 c.1320
62973 The Seven Vices Giotto The Seven Vices 1306 Fresco, 120 x 60 cm Cappella Scrovegni (Arena Chapel), Padua Despair {Desperatio) appears as a female suicide - a demon has taken hold other soul. Giotto here uses the painted marble niche in a most impressive fashion in order to display narrative details, such as the way the beam and the rope are fastened. Artist: GIOTTO di Bondone Painting Title: No. 47 The Seven Vices: Desperation , 1301-1350 Painting Style: Italian , , religious
52399 The Stefaneschi Triptych Giotto The Stefaneschi Triptych c. 1330 Tempera on panel, 220 x 245 cm
44320 The Stefaneschi Triptych Martyrdom of St Paul Giotto The Stefaneschi Triptych Martyrdom of St Paul c. 1330 Tempera on panel
62954 The Stefaneschi Triptych: St Peter Enthroned Giotto The Stefaneschi Triptych: St Peter Enthroned 1330 Tempera on panel Pinacoteca, Vatican The picture shows the middle panel on the side showing St Peter. Peter sits, surrounded by angels and saints, on a simply constructed throne inlaid with Cosmati work. His right hand is raised in blessing, and in the other he holds the keys of his office. Before him, kneeling on the luxurious marble floor, laid out in perspective, are the hermit-saint Peter of Morrone to his right, and the donor Cardinal Stefaneschi, offering him the altar, to his left. Artist: GIOTTO di Bondone Painting Title: The Stefaneschi Triptych: St Peter Enthroned , 1301-1350 Painting Style: Italian , , religious
44368 The Suitors Praying Giotto The Suitors Praying 1304-06 200 x 185 cm
52379 The Virgin Receiving the Message Giotto The Virgin Receiving the Message 1306 Fresco, 150 x 195 cm
42608 The wedding to Guns De arouse-king of Lazarus, De bewening of Christ and Noli me tangera Giotto The wedding to Guns De arouse-king of Lazarus, De bewening of Christ and Noli me tangera MK169 details of the fresco decoration ca.1304-13 Scrovegni-chapel Padua
38431 Throning God mother with the child Giotto Throning God mother with the child mk137 1310 Tempera on wood chalkboard 325x204cm Galleria degli Uffizi, Florence
6905 Tondo with Angel sh Giotto Tondo with Angel sh c. 1310 Mosaic, diameter 65,5 cm S. Pietro Ispano, Boville Ernica, Rome
6901 Vault fgt Giotto Vault fgt 1303-06 Fresco Cappella Scrovegni (Arena Chapel), Padua
44359 Verification of the Stigmata Giotto Verification of the Stigmata 270 x 230 cm
44337 View of a chapel Giotto View of a chapel 1304-06 150 x 140 cm
6898 View of the Church of San Francesco dfg Giotto View of the Church of San Francesco dfg established in 1228 Convent of San Francesco, Assisi
52364 View of the Church of San Francesco established in 1228 Giotto View of the Church of San Francesco established in 1228 Convent of San Francesco, Assisi San Francesco at Assisi consists of two superimposed churches
52365 View of the interior Giotto View of the interior Upper Church, San Francesco,
6902 View of the Peruzzi and Bardi Chapels fh Giotto View of the Peruzzi and Bardi Chapels fh Santa Croce, Florence
52402 Vision of the Ascension of St Francis Giotto Vision of the Ascension of St Francis 1325 Fresco, 280 x 450 cm
52372 Vision of the Flaming Chariot Giotto Vision of the Flaming Chariot 1297-99 Fresco, 270 x 230 cm
44349 Vision of the Thrones Giotto Vision of the Thrones 270 x 230 cm
44333 Washing of Feet Giotto Washing of Feet 200 x 185 cm
44369 Wedding Procession Giotto Wedding Procession 200 x 185 cm
52384 Wrath Giotto Wrath 1306 Fresco, 120 x 55 cm

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Giotto
Italian 1267-1337 Giotto Galleries Giotto di Bondone (c. 1267 ?C January 8, 1337), better known simply as Giotto, was an Italian painter and architect from Florence. He is generally considered the first in a line of great artists who contributed to the Italian Renaissance. Giotto's contemporary Giovanni Villani wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature. And he was given a salary by the commune [of Florence] in virtue of his talent and excellence." The later 16th century biographer Giorgio Vasari says of him "...He made a decisive break with the ...Byzantine style, and brought to life the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years." Giotto's masterwork is the decoration of the Scrovegni Chapel in Padua, commonly called the Arena Chapel, completed around 1305. This fresco cycle depicts the life of the Virgin and the life of Christ. It is regarded as one of the supreme masterpieces of the Early Renaissance. That Giotto painted the Arena Chapel and that he was chosen by the commune of Florence in 1334 to design the new campanile (bell tower) of the Florence Cathedral are among the few certainties of his biography. Almost every other aspect of it is subject to controversy: his birthdate, his birthplace, his appearance, his apprenticeship, the order in which he created his works, whether or not he painted the famous frescoes at Assisi, and where he was eventually buried after his death.
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