Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of Honore Daumier 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
699 Advice to a Young Artist Honore  Daumier Advice to a Young Artist 1860 The National Gallery of Art, Washington DC
10979 Crispin and Scapin Honore  Daumier Crispin and Scapin Scapin and Silvester, CA, 1858 - 1860. 1' 11 3/4" x 2' 8 1/4" ( 60.5 x 82 cm ). Gift of Societe des Amis du Louvre, 1912.
88189 Der Kupferstich-Liebhaber Honore  Daumier Der Kupferstich-Liebhaber 1857-1860 Medium Oil on canvas Dimensions 41 x 33 cm cyf
21366 Don Quixote (mk09) Honore  Daumier Don Quixote (mk09) c 1868 Oil on canvas,52.2 x 32.8 cm Munich,Bayerische Staatsgemalde-sammlungen,Neue Pinakothek
40745 Don Quixote and Sancho Pansa Honore  Daumier Don Quixote and Sancho Pansa mk156 c.1868 Oil on canvas 52x32cm
43337 Don Quixote and Sancho Panza Honore  Daumier Don Quixote and Sancho Panza mk170 circa 1866 Oil on oak 40.3x64.1cm
10976 Don Quixote and the Dead Mule Honore  Daumier Don Quixote and the Dead Mule 1867. 4' 4 1/4" x 1' 9 1/2" ( 132.5 x 54.5 cm ) Gift of Baroness Eva Gebhard-Gourgaud, 1965.
62537 Guizot or the Bore Honore  Daumier Guizot or the Bore 1832-33 Painted clay, height 22 cm Mus?e d'Orsay, Paris The busts of the Parliamentarians was commissioned in 1832 by Charles Philipon, the director of La Caricature, and executed during actual sittings of the Chambre des D?put?s. These busts mark a total break with the tradition of the neoclassical portrait.Helped by acute powers of observation and a remarkably expressive talent as a draughtsman and modeller, Daumier tried to reveal the deep truth of his models through an uncompromising image enhanced by exaggeration and polychromy.. Author: DAUMIER, Honor? Title: Guizot or the Bore Form: sculpture , 1801-1850 , French , other
52529 Laundress on the Quai d'Anjou Honore  Daumier Laundress on the Quai d'Anjou c. 1860 Oil on panel, 29 x 20 cm
10972 Scene from a Comedy Honore  Daumier Scene from a Comedy ( Moliere? ) Or a Scapin. 1' 1" x 9 3/4" ( 32.5 x 24.5 cm ). Gift of Mrs. Dulac and Miss Turquois, 1928.
89110 Scene from a Comedy Honore  Daumier Scene from a Comedy between 1858(1858) and 1862(1862) Medium oil on wood cyf
21362 The Emigrants (mk09) Honore  Daumier The Emigrants (mk09) 1852/55 Oil on panel,16.2 x 28.7 cm Paris,Musee du Petit Palais
10969 The Laundress Honore  Daumier The Laundress CA. 1863. 1' 7 1/4" x 1' 1/4" ( 49 x 33.5 cm ).
21369 The Melodrama (mk09) Honore  Daumier The Melodrama (mk09) c 1860 Oil on canvas,97.5 x 90.4 cm.Munich,Bayerische Staatsgemalde-sammlungen,Neue Pinakothek
23282 The Print Collectiors (nn03) Honore  Daumier The Print Collectiors (nn03) c 1878 Ink and wash on paper 35 x 32 cm 13 3/4 x 12 1/2 in Victoria and Albert Museum London
698 The Print Collector Honore  Daumier The Print Collector 1857-63 The Art Institute of Chicago
702 The Print Collectors Honore  Daumier The Print Collectors   
700 The Republic Honore  Daumier The Republic 1848 Musee d'Orsay, Paris
10974 The Thieves and the Donkey Honore  Daumier The Thieves and the Donkey From La Fontaine. 1 11" x 1' 10" ( 58.5 x 54.5 cm ).
701 The Third Class Carriage Honore  Daumier The Third Class Carriage Metropolitan Museum of Art, New York
43971 The Third-class Carriage Honore  Daumier The Third-class Carriage 1860-63 Oil on canvas, 65 x 90 cm
52530 The Uprising Honore  Daumier The Uprising c. 1860 Oil on canvas, 88 x 113 cm
40727 The Washer woman Honore  Daumier The Washer woman mk156 c.1860-63 Oil on panel 49x33.5cm
89111 The Washerwoman Honore  Daumier The Washerwoman 1863(1863) Medium oil on wood cyf
21363 The Washerwoman (mk09) Honore  Daumier The Washerwoman (mk09) c 1860 Oil on panel,49 x 34 cm Paris,Musee National du Louvre
86760 Two Uprising Honore  Daumier Two Uprising Oil on canvas Dimensions 87.6 x 113 cm (34.5 x 44.5 in) cyf

Honore Daumier
1808-1879 French Honore Daumier Locations In some 40 years of political and social commentary Honore Daumier created an enormously rich and varied record of Parisian middle-class life in the form of nearly 4,000 lithographs, about 1,000 wood engravings, and several hundred drawings and paintings. In them the comic spirit of Moli??re comes to life once again. After having been the scourge of Louis Philippe and the July Monarchy (1830-1848), Daumier continued as a satirist of Louis Napoleon and the Second Empire (1851-1870). Poor himself, the artist sympathized with the struggling bourgeois and proletarian citizens of Paris. As a man of the left, he battled for the establishment of a republic, which finally came in 1870. Liberals have always applauded Daumier; some conservatives, however, have been inclined to consider him woolly-minded. Honore Daumier, born on Feb. 26, 1808, in Marseilles, was the son of a glazier. When Honore was 6, the family moved to Paris, where the elder Daumier hoped to win success as a poet. Honore grew up in a home in which humanistic concerns had some importance. A born draftsman and designer who was largely self-taught, he received some formal instruction from Alexandre Lenoir, one of Jacques Louis David students. An obscure artist named Ramelet taught Daumier the elements of the new, inexpensive, and popular technique of lithography. Daumier style is so much his own that it is not easy to disentangle influences from other artists. Rembrandt and Francisco Goya are usually mentioned, along with Peter Paul Rubens, the Venetian school, and photography.
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