Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Cornelia Kuemmel
The Lady in Red

ID: 04239

Cornelia Kuemmel The Lady in Red
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Cornelia Kuemmel The Lady in Red


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Cornelia Kuemmel

1863-1938  Related Paintings of Cornelia Kuemmel :. | Deposition kkkjjh | diktaren bjornstierne bjornson | The Beaufort Book of Hours | Details of Daphnis and Chloe | Descent from the Cross |
Related Artists:
Oliver Dennett Grover
American, 1861-1927
Jozef Israels
1824-1911 Dutch Jozef Israels Gallery Israels has often been compared to Jean-François Millet. As artists, even more than as painters in the strict sense of the word, they both, in fact, saw in the life of the poor and humble a motive for expressing with peculiar intensity their wide human sympathy; but Millet was the poet of placid rural life, while in almost all Israels' pictures there is some piercing note of woe. Edmond Duranty said of them that they were painted with gloom and suffering. He began with historical and dramatic subjects in the romantic style of the day. By chance, after an illness, he went to recruit his strength at the fishing-town of Zandvoort near Haarlem, and there he was struck by the daily tragedy of life. Thenceforth he was possessed by a new vein of artistic expression, sincerely realistic, full of emotion and pity. Among his more important subsequent works are The Zandvoort Fisherman (in the Amsterdam gallery), The Silent House (which gained a gold medal at the Brussels Salon, 1858) and Village Poor (a prize at Manchester). In 1862 he achieved great success in London with his Shipwrecked, purchased by Mr Young, and The Cradle, two pictures that the Athenaeum magazine described as the most touching pictures of the exhibition.
Thomas Anshutz
American Realist Painter, 1851-1912 was an American painter and teacher. He studied art in Paris at the Academie Julian, and at the Pennsylvania Academy of the Fine Arts under Thomas Eakins. His most famous painting, The Ironworkers' Noontime (1880), depicts several workers on their break in the yard of a foundry. Painted near Wheeling, West Virginia, it is conceived in a naturalistic style similar to that of Eakins, although Eakins never painted industrial subjects.






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