Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Francesco Francia
Crucifixion with Sts John and Jerome

ID: 86619

Francesco Francia Crucifixion with Sts John and Jerome
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Francesco Francia Crucifixion with Sts John and Jerome


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Francesco Francia

1450-1517 Italian Francesco Francia Locations He trained with Marco Zoppo and was first mentioned as a painter in 1486. His earliest known work is the Felicini Madonna, which is signed and dated 1494. He worked in partnership with Lorenzo Costa, and was influenced by Ercole de Roberti and Costa style, until 1506, when Francia became a court painter in Mantua, after which time he was influenced more by Perugino and Raphael. He himself trained Marcantonio Raimondi and several other artists; he produced niellos, in which Raimondi first learnt to engrave, soon excelling his master, according to Vasari. Raphael Santa Cecilia is supposed to have produced such a feeling of inferiority in Francia that it caused him to die of depression His sons Jacopo Francia and Giulio Francia were also artists.  Related Paintings of Francesco Francia :. | Madonna and Child with Sts Lawrence and Jerome | Evangelista Scappi | Paysage montagneux sous la neige avec diligence | Crucifixion with Sts John and Jerome | The Virgin and Child and Saint Anne Enthroned with Saints Sebstian,Paul,John,Lawrence and Benedict |
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Ferdinand bol
Dutch Baroque Era Painter, 1616-1680 Dutch painter and draughtsman. He was a pupil and prominent follower of Rembrandt in Amsterdam. His reputation and fame are based on his history paintings, which, though successful at the time,
MALLET, Jean-Baptiste
French Painter, 1759-1835,French painter. A pupil of Simon Julien in Toulon, he was then taught by Pierre-Paul Prud'hon in Paris. He exhibited at every Salon between 1793 and 1827, obtaining a second class medal in 1812 and a first class medal in 1817. He executed very few portraits (Chenier, Carcassonne, Mus. B.-A., is an exception), preferring to paint nymphs bathing and graceful classical nudes such as the Graces Playing with Cupid (Arras, Abbaye St Vaast, Mus. B.-A.). He established his reputation with gouache genre scenes of fashionable and often libertine subjects, always elegant and refined, in the style of Louis-Philibert Debucourt and Louis-Leopold Boilly, and remarkable for the delicacy and brilliance of their brushwork: for example At the Laundry Maid's and the Painful Letter (both Paris, Mus. Cognacq-Jay). They reveal a knowledge of 17th-century Dutch painting in the treatment of details (transparent crystal, reflections on silk or satin) as well as the choice of themes: Military Gallant (Paris, Mus. Cognacq-Jay). Mallet's meticulously precise paintings are one of the best records of fashionable French furnishings and interiors at the end of the 18th century and the beginning of the 19th.
Murano, Andrea da
Russian, approx. 1670-1740






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