Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Henrique Pousao
Entre o milharal

ID: 98145

Henrique Pousao Entre o milharal
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Henrique Pousao Entre o milharal


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Henrique Pousao

Henrique Cear de Arauo Pousa (Vila Vicsa, 1 January 1859 - Vila Vicsa, 20 March 1884) was a Portuguese painter.   Related Paintings of Henrique Pousao :. | At the Isaakievskaya Square in Leningrad | Study of Old Builings | Portrait of Baudouin de Lannoy | St.Augustine in his study | A New Generation |
Related Artists:
POTTER, Paulus
Dutch Baroque Era Painter, 1625-1654 Son of Pieter Potter. He was related through his mother, Aechtie Pouwels (d 1636), to the wealthy and powerful von Egmont and Semeyns families, who held important offices in Enkhuizen and at the court in The Hague. He worked in his father's studio in Amsterdam during the 1630s and, like him, painted history subjects that show the strong influence of Claes Moeyaert, with whom Paulus may also have studied. In the painting Abraham Returning from Canaan he adapted the landscape setting from an etching by Moses van Uyttenbroeck and the figures from works by Moeyaert from over ten years earlier. Significantly, however, he redistributed the numerous animals and figures that Moeyaert had aligned evenly across the frontal plane; Potter placed them to one side, permitting a view into the deep distance where other animals can be seen. Potter followed his father more than Moeyaert in searching for ways to integrate his figures with the landscape,
LICINIO, Bernardino
Italian painter, Venetian school (b. ca. 1489, Poscante, d. ca. 1565, Venezia)
Jean-Antoine Watteau
1684-1721 Antoine Watteau Art Locations He is best known for his invention of a new genre, the fete galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under FETE CHAMPETRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume, thus blurring references to both time and place. Watteau work was widely collected during his lifetime and influenced a number of other painters in the decades following his death, especially in France and England. His drawings were particularly admired. Documented facts about Watteau life are notoriously few, though several friends wrote about him after his death (see Champion). Of over two hundred paintings generally accepted as his work






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