French Rococo Era Painter, 1685-1766 Related Paintings of Jjean-Marc nattier :. | Madame Henriette de France as a Vestal Virgin | Madame Louise of France | Isabella de Bourbon, Infanta of Parma | Portrait of Catherine I | Madame de Maison-Rouge as Diana | Related Artists:
VOUET, SimonFrench Baroque Era Painter, 1590-1649
French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting
Giovanni Boldini1842-1931
Italian
Giovanni Boldini Locations
Italian painter and printmaker. He received his earliest training from his father, the painter Antonio Boldini (1799-1872). From 1858 he may have attended courses given by Girolamo Domenichini (1813-91) and Giovanni Pagliarini (?1809-78) at the Civico Ateneo di Palazzo dei Diamanti, where he assiduously copied Old Masters. At 18 he was already known in Ferrara as an accomplished portrait painter. In 1862 he went to Florence, where he sporadically attended the Scuola del Nudo at the Accademia di Belle Arti. He frequented the Caffe Michelangiolo, a meeting-place of progressive artists, where he came into contact with the MACCHIAIOLI group of artists.
Esaias Boursse1631-1672 Dutch
Dutch painter and draughtsman. Boursse was the son of Walloon parents, Jacques Boursse and Anne de Forest. A testimony of 23 July 1658 states that Esaias brother Jan provided for his artistic training. There is nothing to confirm a view of the early 20th-century scholars Bode, Bredius and Valentiner that Boursse was a pupil of Rembrandt, although the two artists may have had some contact, since Rembrandt lived near Jan in Amsterdam. According to an inventory of 24 November 1671, Jan collected a number of paintings, drawings and etchings by Rembrandt.