Sandro Botticelli
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Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Johann Heinrich Fuseli
Kriemhild zeigt Gunther im Gefangnis den Nibelungenring

ID: 94428

Johann Heinrich Fuseli Kriemhild zeigt Gunther im Gefangnis den Nibelungenring
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Johann Heinrich Fuseli Kriemhild zeigt Gunther im Gefangnis den Nibelungenring


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Johann Heinrich Fuseli

1741-1825 Romanticism Swiss   Related Paintings of Johann Heinrich Fuseli :. | Portrait of a Young Woman | The Artist Moved by the Grandeur of Antique Fragments | Lady Macbeth with the Daggers | Sleep and Death carrying away Sarpedon of Lycia | Liegende Nackte und Klavierspielerin |
Related Artists:
David Hunter Strother
1816-1888 Strother was born in Martinsburg, Virginia (now West Virginia). He studied drawing under Pietro Aneora in Philadelphia, Pennsylvania from 1829 to 1836 when he became a student of Samuel F. B. Morse in New York. Strother was an artist for The Crayon, the leading art journal of the United States at the time, and a frequent contributor to Harper's Monthly. Most of his early work was comprised of landscapes and other outdoor scenes. His art pertained mostly to Virginia and the Southern United States. Prior to the American Civil War, his art was published in books titled The Blackwater Chronicle (1853) and Virginia Illustrated (1857). During the Civil War, Strother was commissioned by the U.S. Army and assigned as a topographer due to his detailed knowledge of the Shenandoah Valley. During this time, Strother recorded his experiences in the war which he would later publish in Harper's Monthly as "Personal Recollections of the War." His accounts are considered to be unique and are highly praised for their objective viewpoint. He was involved in 30 battles, though never wounded, and was brevetted brigadier general by the War's end. After the war, topics of his pieces covered a wider range of subjects. Strother began to make works which commented on politics and race relations. He even sketched a portrait of Chief Sitting Bull. Some of his drawings were merely of individuals and groups going about their daily lives. Strother ended his career as an artist when he was appointed by President Rutherford B. Hayes to be the General Consul to Mexico City in 1879. He returned to West Virginia in 1885 and died there three years later. The New York Times published an obituary in which it is stated that his name was a household one during his career. Strother is buried in Green Hill Cemetery in Martinsburg, West Virginia.
BOLLONGIER, Hans
Dutch painter, Haarlem school (b. ca. 1600, Haarlem, d. ca. 1675, Haarlem) Hans Gillisz. Bollongier or Boulenger (Haarlem, 1600-idem, 1645) was a still life Dutch painter.
WEST, Benjamin
American Neoclassical Painter, 1738-1820 American historical painter who worked in England. He was born in Springfield, Pa., in a house that is now a memorial museum at Swarthmore College. After some instruction from a local artist named William Williams, he set up as a portrait painter in Philadelphia at 18, subsequently moving to New York City. In 1760 he went to Europe, where he remained for the rest of his life. For three years he studied in Italy. Working under the tutelage of Anton Mengs, he was also inspired by the classical research of Johann Winckelmann. He then settled in London, becoming a leader of the neoclassical movement. Under the patronage of George III, commissions came to him in great numbers, and in 1772 he was appointed historical painter to the king. A founder of the Royal Academy, he succeeded Sir Joshua Reynolds as its president in 1792. West executed more than 400 canvases, chiefly historical, mythological, and religious subjects painted on a heroic scale. He had many pupils and was a generous friend and adviser to younger artists, particularly American painters studying in England, among whom were Washington Allston, Samuel Morse, Charles Willson Peale, Gilbert Stuart, and John Singleton Copley. His influence on American painting of the period was predominant. Among West's best-known works are Death of General Wolfe (Grosvenor Gall., London) and Penn's Treaty with the Indians (Pa. Acad. of the Fine Arts). In these paintings he created a new departure in historical painting by clothing his figures in the costume of their period instead of the traditional classical garb.






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