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c. 1445 – May 17, 1510. Italian painter.

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Luca Giordano
The Rape of Lucretia

ID: 81714

Luca Giordano The Rape of Lucretia
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Luca Giordano The Rape of Lucretia


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Luca Giordano

Italian Baroque Era Painter, ca.1634-1705 Italian painter and draughtsman, active also in Spain. He was one of the most celebrated artists of the Neapolitan Baroque, whose vast output included altarpieces, mythological paintings and many decorative fresco cycles in both palaces and churches. He moved away from the dark manner of early 17th-century Neapolitan art as practised by Caravaggio and his followers and Jusepe de Ribera, and, drawing on the ideas of many other artists, above all the 16th-century Venetians and Pietro da Cortona, he introduced a new sense of light and glowing colour, of movement and dramatic action.   Related Paintings of Luca Giordano :. | rubens painting the allegory of peace | Portrait of Maria Anna of Neuburg | Fresken in der Galerie des Palazzo Medici-Riccardi in Florenz, | Bekronung der Fortitudo mit Ehrenkranz | he Triumph of Galatea,with Acis Transformed into a Spring |
Related Artists:
Pars, William
English, 1742-82 English painter. He first established himself in London as a portrait painter, exhibiting at the Society of Artists in 1760 and at the Free Society of Artists from 1761. In 1764 he won the third premium of the Royal Society of Arts for his history painting depicting Caractacus before the Emperor Claudius (untraced). In the same year he was selected by the Dilettanti Society to accompany Richard Chandler and Nicholas Revett on an archaeological expedition to Asia Minor and Greece (1764-6). His views of Classical monuments in Asia Minor were engraved and published in Ionian Antiquities (1769), while those he made in Greece, which included pioneering drawings of the Parthenon sculptures, were used in the second volume of James Stuart's Antiquities of Athens (1777).
John Evan Hodgson
painted The french naturalist in Algiers 1879
Moritz Daniel Oppenheim
(January 7, 1800, Hanau, Germany - February 26, 1882, Frankfurt am Main) was a German painter who is often regarded as the first Jewish painter of the modern era. His work was informed by his cultural and religious roots at a time when many of his German Jewish contemporaries chose to convert. Oppenheim is considered by the scholar Ismar Schorsch to be in sympathy with the ideals of the Wissenschaft des Judentums movement, because he remained "fair to the present" without denying his past. Oppenheim was born to Orthodox Jewish parents at Hanau, Germany in 1800; he died at Frankfurt am Main in 1882. His niece was the wife of student and fellow painter Benjamin Prins, Rosa Benari. He received his first lessons in painting from Westermayer, in Hanau, and entered the Munich Academy of Arts at the age of seventeen. Later he visited Paris, where Jean-Baptiste Regnault became his teacher, and then went to Rome, where he studied with Bertel Thorwaldsen, Barthold Georg Niebuhr, and Friedrich Overbeck. There he studied the life of the Jewish ghetto and made sketches of the various phases of its domestic and religious life, in preparation for several large canvases which he painted upon his return to Germany. In 1825 he settled at Frankfurt, and shortly after exhibited his painting David Playing Before Saul, to see which a great number of admirers from all parts of Europe visited his studio. In 1832, at the instance of Goethe, Charles Frederick, Grand Duke of Saxe-Weimar-Eisenach conferred upon him the honorary title of professor.






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