1752-1817 B.Oberbergheim French Martin Drolling Art Gallery After receiving initial training from an unknown painter in Selestat, Drolling moved to Paris, where he attended courses at the Academie Royale. He supplemented his education there by studying Flemish and Dutch Old Masters in the collection at the Luxembourg Palace. From the Flemish school he derived his own rich impasto, while the Dutch was to influence him in his meticulous, supremely descriptive and unsentimental style of painting as well as his choice of subject-matter: unfussy bourgeois interiors and frank portraits. Drolling first exhibited at the Salon de la Correspondance in 1781 and again in 1782 and 1789. After the French Revolution he was able to participate in the Salon at the Louvre, despite the fact that he had never become a member of the Academie Royale. He exhibited from 1793 to 1817, although the majority of his works extant today were shown after 1800. From 1802 to 1813 he was employed by the Sevres porcelain manufactory, and many of his designs were engraved.  Related Paintings of Martin Drolling :. | Le Colporteur | Portrait of the Artist-s Son as a Drummer | Portrait of the Artist-s Son as a Drummer | Interior of a Kitchen (mk05) | Portrait of the Artist's Son as a Drummer |
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BENING, Simon
Flemish Northern Renaissance Manuscript Illuminator, ca.1483-1561 Simon Bening (1483?C1561) was a 16th century miniature painter of the Ghent-Bruges school, the last major artist of the Netherlandish tradition. Bening was trained in his father Alexander Bening's miniature painting workshop in Ghent. He made his own name after moving to Bruges. His specialty was the book of hours, but by his time these were becoming relatively unfashionable, and only produced for royalty and the very rich. He also created genealogical tables and portable altarpieces on parchment. Many of his finest works are Labours of the Months for Books of Hours which are largely small scale landscapes, at that time a nascent genre of painting. In other respects his style is relatively little developed beyond that of the years before his birth, but his landscapes serve as a link between the 15th century illuminators and Peter Brueghel. His self-portrait and other portraits equally are early examples of the portrait miniature. He served as dean of the calligraphers, booksellers, illuminators, and bookbinders in the Guild of Saint John and Saint Luke. He created books for German rulers, like Cardinal Albrecht of Brandenburg, and royalty like Emperor Charles V and Don Fernando, the Infante of Portugal. The artistic tradition continued in his family. His eldest daughter, Levina Teerlinc, became a miniature painter, mostly of portrait miniatures and another daughter became a dealer in paintings, miniatures, parchment, and silk.
Frederic Yates
Frederic Yates (1854-1919) was an English painter. He gave up a business career to study painting in the Paris ateliers of Leon Bonnat, Gustave Boulanger, and Jules Joseph Lefebvre. In 1886, he moved to San Francisco where his family had settled a few years earlier. In San Francisco, he became a popular portraitist and taught at the newly formed Art Students League of San Francisco. On one of his visits to Europe, he made the acquaintance of the Dowager Marchioness of Downshire who became his patron and introduced him to London society. Yates was active in San Francisco until 1900, when he returned to England, where he lived at "Cote How" near Grasmere until 1906. During this period he painted the former United States president Woodrow Wilson and John Haden Badley. He died in 1919.
wilhelm bendz
(March 20, 1804 ?C November 14, 1832), Danish genre and portrait painter, is one of the main personages associated with the Golden