Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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NC Wyeth
-and making it into a great cross i set it up on the shore where i first landed

ID: 35044

NC Wyeth -and making it into a great cross i set it up on the shore where i first landed
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NC Wyeth -and making it into a great cross i set it up on the shore where i first landed


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NC Wyeth

American Golden Age Illustrator, 1882-1945 1882-1945,was an American artist and illustrator. He was the star pupil of the artist Howard Pyle, and became one of America's greatest illustrators. During his lifetime, Wyeth created over 3,000 paintings and illustrated 112 books,25 of them for Scribner's, the work for which he is best known. Wyeth was a realist painter just as the camera and photography began to compete with his craft. Sometimes seen as melodramatic, his illustrations were designed to be understood quickly Wyeth who was both a painter and an illustrator, understood the difference, and said in 1908,   Related Paintings of NC Wyeth :. | The Plains Herder | Sir Tristram and La Belle Isolde in the Garden | Sitting up Cross-legged with each hand holding a gun from which came thin wisps of smoke | The First Maine Fisherman | Daniel Boone |
Related Artists:
Luigi Loir
French painter and engraver Luigi Loir (1845-1916).
Jean Urbain Guerin
French, 1760-1836
Grace Hudson
(1865 - 1937) was an American painter. She was nationally known during her lifetime for a numbered series of more than 684 portraits of the local Pomo Indians. She painted the first, "National Thorn", after her marriage in 1891, and the last in 1935. Grace Carpenter was born in Potter Valley, California. Her mother was one of the first white school teachers educating Pomo children and was a commercial portrait photographer in Ukiah, California; her father was a skilled panoramic and landscape photographer who chronicled early Mendocino County frontier enterprises such as logging, shipping and railroading. At fourteen years of age, Grace was sent to attend the recently-established San Francisco School of Design, an art school which emphasized painting from nature rather than from memory or by copying existing works. At sixteen, she executed an award-winning, full length, life sized self-portrait in crayon. While in San Francisco, she met and eloped with a man fifteen years her senior named William Davis, upsetting her parents and ending her formal studies. The marriage lasted only a year. From 1885 to 1890, Grace Carpenter Davis lived with her parents in Ukiah painting, teaching and rendering illustrations for magazines such as Cosmopolitan and Overland Monthly. Her work at that time had no particular focus and included genre, landscapes, portraits and still lifes in all media. Later in her career she would continue to accept occasional magazine illustration assignments including ones for Sunset.






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