Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Sandro Botticelli
The Discovery of the Body of Holofernes

ID: 00128

Sandro Botticelli The Discovery of the Body of Holofernes
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Sandro Botticelli The Discovery of the Body of Holofernes


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Sandro Botticelli

Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s   Related Paintings of Sandro Botticelli :. | The Annunciation | Trinity with Mary Magdalene,St john the Baptist,Tobias and the Angel | Portrat eines jungen Mannes | Our Lady of the Son and the Angels | Novella di Nastagio degli Onesti (mk36) |
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Henrietta Rae
(30 December 1859 - 26 January 1928) was a prominent English painter of the later Victorian era. Born in Hammersmith, London, she was the youngest of seven children of a civil servant; her mother was musically talented, a former student of Felix Mendelssohn. An uncle, Charles Rae, was an artist and a student of George Cruikshank. Rae began studying art at age thirteen; she was educated at the Queen Square School of Art, Heatherley's School of Art (she was its first female pupil), and the British Museum. She reportedly had to apply to the Royal Academy schools at least five times before she was accepted though she eventually gained a seven-year scholarship. Her teachers there included Frank Bernard Dicksee, William Powell Frith, and Sir Lawrence Alma-Tadema; the last of these had the strongest influence on Rae's later work. She became a frequent exhibitor at the annual Royal Academy shows, beginning in 1881. She gained recognition and success early in her career, specializing in classical, allegorical, and literary subjects, often treated in a grand style and scale; her Psyche at the Throne of Venus (1894) measured 12 feet by 7 feet (305 by 193 cm) and contained 13 figures. Other paintings in the same classical vein include her Ariadne (1885), Eurydice (1886), Zephyrus and Flora (1888), Apollo and Daphne (1895), Diana and Calisto (1899), and Hylas and the Water Nymphs (1910) among many more.
Georges Seurat
French Pointillist Painter, 1859-1891 Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism. His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations". Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.
Horace pippin
1888-1946 was a self-taught African-American painter who worked in a naive style. The injustice of slavery and American segregation figure prominently in many of his works. He was born in West Chester, Pennsylvania, and grew up in Goshen, New York. There he attended segregated schools until he was 15, when he went to work to support his ailing mother.Pippin served in the 369th infantry in Europe during World War I, where he lost the use of his right arm. He said of his combat experience: His activity as a painter did not begin in earnest until 1930. One of his best-known paintings, his Self-portrait of 1941, shows him seated in front of an easel, cradling his brush in his right hand (he used his left arm to guide his injured right arm when painting). His painting of John Brown Going to his Hanging (1942) is in the collection of the Pennsylvania Academy of the Fine Arts in Philadelphia. Among Pippin's works are many genre paintings, such as the Domino Players (1943), in the Phillips Collection, Washington D.C., and several versions of Cabin in the Cotton.






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